That subliminal kid

On Monday night I went to see Paul Miller, better known to the world as DJ Spooky, speak about the ways in which dj's (and non-dj's) use sampling and remixing not just as musical tools but as a way to create and modify cultural discourse. Spooky (whom I had never seen before and whose music I was almost completely unfamiliar with, save for his track on this CD) combines an emotional, playful love of music with a formidable intellect and a deep interest in pushing the boundaries of art and thought without divorcing himself from mainstream culture. He's collaborated with everyone under the sun, from Yoko Ono to dozens of people I promise you've never heard of. One of his next collaborations is with Chuck D and Slayer. (Really. He played some of Chuck's vocal track for us.)

Rather than reading my inadequate descriptions of his work, you should click your way to his website, which contains copious media and information and a long links page. I plan to delve deeply when I have the time. If you're in the DC area, you can see Spooky perform at ye olde Black Cat on Tuesday, November 2. The presidential race may be decided by the end of his set; if not, then definitely by the time the Dillinger Escape Plan plays their Hot Topic-sponsored gig the next night. Don't get me started.